The album has the dubious distinction of being released in the United States on September 11, 2001, the date of the attacks on the World Trade Center, while coincidentally featuring a song called "NYC's Like a Graveyard".

[1] In a positive review for NME magazine, music critic Kitty Empire called The Moldy Peaches "extremely amusing and often brilliant" because of its endearing songs and absurdist lyrics, which she felt distinguishes the band from other indie acts.

[11] In a less enthusiastic review for Rolling Stone, Jenny Eliscu wrote that the "joyously messy" album is made up mostly of "low-fi, potty-mouthed indie rock" and raunchy humor, which listeners will either find "hilarious or stupid".

[8] AllMusic's Daniel Greenwald was more critical and said the Moldy Peaches tried to be funny with their use of provocative language, but sounded like a witless, untalented version of the indie band Beat Happening.

[2] The Moldy Peaches finished 31st in the voting for the Pazz & Jop, an annual critics poll run by The Village Voice.