[1][2] Originally formed as a small all male ensemble after an open newspaper invite, the Pink Singers has grown over the past three decades into an SATB choir of approximately 90 members, making it the UK's largest Lesbian, Gay, Bisexual and Transgender (LGBT) chorus.
Each culminates in a large London concert and the choir have performed in venues such as Cadogan Hall, Hackney Empire, The Troxy.
[5] Each season starts with anyone with an interest in joining being invited to try out a few rehearsals so they can feel the social as well as musical make up of the choir, which is then followed by an audition.
The choice of music sung by the choir is as eclectic as the membership makeup itself, everything from pop to classical to jazz, folk and show tunes.
The choir's singing members are split across 8 voices, upper and lower registers each for Soprano, Alto, Tenor and Bass sections respectively.
[7][8] The LGBT landscape in the UK then was substantially different to today: the age of consent was unequal, AIDS had barely reached the political agenda, Britain had not yet had appointed an openly gay MP, and any form of legally-recognised partnership between same-sex couples seemed like a pipe dream.
The choir was established to be a counterpart to the choruses which had emerged in the US and one of its first actions was to provide music at that year's Lesbian & Gay Pride march, in support of the political changes happening at the time.
As more freedoms and rights have been granted to LGBT individuals and partners the principal aims of the choir have also evolved, which were codified when the choir became a UK charity: Under these aims the Pink Singers have performed all over the constituent countries of the UK, as well as in the past in Ireland, Iceland, Portugal, Finland, Mallorca, Greece, Malta, the Netherlands the United States & India.
Part of the CD sale profits are benefitting two different LGBT charities; Diversity Role Models, and the Albert Kennedy Trust.
The Pink Singers debuted 'The Great Choir of London', a two-part composition that was written for them by Richard Thomas.