John Punter of Roxy Music fame produced the album at Utopia Studios in London, England.

58 in West Germany, but the title track was a big international success and became the band's signature song, causing some to label them a one-hit wonder.

Five other singles were released from the album with minor success in the US and UK: "Hitline", "Hurt", "Praying to the Beat", "Couldn't Stand a Day", and "Sensitive".

Writing for Trouser Press, music journalist Terry Rompers wrote that "Re-Flex display a knack for penning strong melodies and playing walloping dance grooves, best exemplified on the title track and “Hurt.”"[3] In a retrospective review for AllMusic, critic Stephen Cook wrote that "the album is mostly a bland array of robotic bass and drums, effects-riddled guitars, and annoying keyboard accents.

To the band's credit, the songwriting is impressive at times, especially on the title track and "Hitline," and lead singer Baxter's vocals are admirable in their own, Bowie-rehashed way.