The libretto, based on the parable in the Gospel of Luke, was by Boris Kochno, who added a good deal of drama and emphasized the theme of sin and redemption ending with the Prodigal Son's return.
She continues: "Adapted from the biblical story, it opens with the prodigal's rebellious departure from home and his seduction by the beautiful but treacherous siren, whose followers rob him.
[2] The premiere took place on Tuesday, May 21, 1929, at the Théâtre Sarah Bernhardt, Paris, with décor by Georges Rouault and lighting by Ronald Bates, in what was to be the Ballets Russes's last Paris season: "Balanchine's choreography upset Prokofiev, who conducted the premiere.
The composer had envisioned a production that was 'real'; his concept of the Siren, whom he saw as demure, differed radically from Balanchine's.
Hugh Laing and Francisco Moncion also danced it before it lapsed from the performance rota for a decade.