The Quiet Earth is a 1985 New Zealand post-apocalyptic science fiction film directed by Geoff Murphy and starring Bruno Lawrence, Alison Routledge and Peter Smith as three survivors of a cataclysmic disaster.
[2][3] Other sources of inspiration have been suggested: the 1954 novel I Am Legend, Dawn of the Dead, and especially the 1959 film The World, the Flesh and the Devil, of which it has been called an unofficial remake.
He listens to his own voice on a tape recorder describing the project as having "phenomenal destructive potential", then notes: "Zac Hobson, July 5th.
The three determine why they survived: at the instant of The Effect, they were all at the moment of death: Api was being drowned during a fight, Joanne was electrocuted by a faulty hairdryer, and Zac had overdosed on pills in a suicide attempt.
A love triangle develops, but Zac is more concerned about his scientific observations: universal physical constants are changing, causing the Sun's output to fluctuate and become highly unstable.
Zac fears The Effect will occur again (and that the Sun will soon collapse in any case and obliterate the Earth) and decides to destroy the Delenco facility.
The three put aside their personal conflicts and drive a truckload of explosives to the installation, only to be stopped at the perimeter when Zac detects dangerous levels of ionising radiation emanating from the plant.
Afterward, Api tells Joanne that he will sacrifice himself by driving the truck; he doubts that Zac's device will be capable of controlling the vehicle.
In his commentary on the Umbrella Entertainment DVD release, writer/producer Sam Pillsbury states, "...we all thought it was quite simple; I mean, our intention was just that, what happened was, he died at the moment of the effect for a second time and he's now found himself in another world, what the hell's he gonna do...", he then says, more or less jokingly, that director Geoff Murphy being "a Catholic or lapsed Catholic, [it] may well have been something to do with purgatory, and y'know, you being trapped in cyclical and going back into having to relive your thing until you work out your karma, [something; possibly 'if I'm not'] mixing my metaphors; anyway, enigmatic is good, I think, to a certain extent..." Walter Goodman of The New York Times wrote, "...it's easy to watch most of the time and never positively painful.
"[9] Variety wrote, "One of New Zealand's top directors, Geoff Murphy has taken a man-alone theme and turned it imaginatively to strong and refreshing effect in The Quiet Earth.