The Road to Middle-Earth

[3] The book discusses Tolkien's inspiration in creating the world of Middle-earth and the writing of works including The Hobbit, The Lord of the Rings, and The Silmarillion.

A recurrent theme is that of Tolkien's detailed linguistic studies (particularly of Old Norse and Old English) and the creation of languages (such as Sindarin and Khuzdul) which feature prominently throughout his works.

The book begins by explaining Tolkien's philology, his belief in its ability to show what happened as the Gothic empire fell in the 4th century as hinted at in brief mentions of the mythical Mirkwood, and his feeling that if he reconstructed an imagined past on such foundations, it would not be wholly false.

It then examines the origins of The Hobbit, how Tolkien rebuilt a picture of Elves and Dwarves from the available clues, and from the different ways of speaking of each race, how he ended up writing a richly-characterised story.

Three chapters then explore The Lord of the Rings, its map-based plot, its elaborate interlacement of narrative threads, its roots in literature including Shakespeare, and its underlying mythical and Christian themes.

In Shippey's view, the films tend both to "democratisation" and to "emotionalisation" of the narrative, though he welcomes the fact that Jackson has brought a fresh audience to Tolkien's work.

The review describes the book as an "erratically enlightening study", one that sometimes goes into great detail on minute points, but that powerfully sets out a major thesis.

GoodKnight noted, too, Shippey's comments in the preface to the second edition that he had not had to make many changes despite the publication of Christopher Tolkien's detailed The History of Middle-earth, meaning that his early predictions had proven accurate.

[10] Michael Drout and Hilary Wynne comment that "The real brilliance of Road was in method: Shippey would relentlessly gather small philological facts and combine them into unassailable logical propositions; part of the pleasure of reading Road lies in watching all these pieces fall into place and Shippey's larger arguments materialize out of the welter of interesting detail.

Shippey discusses the possible location of the original Mirkwood , a term reused by Tolkien, in the 4th-century Goth - Hun borderlands between the Carpathian Mountains and the River Dnieper , their mentions in legend analysed and reconstructed by philology .