In 1792 during the Reign of Terror, the Scarlet Pimpernel rescues French aristocrats while posing as the wealthy but foppish and seemingly empty-headed Sir Percival Blakeney.
Percy marries the beautiful French actress Marguerite St. Just, but her previous relationship with Robespierre's agent Paul Chauvelin may endanger the Pimpernel's plans to save the young Dauphin, eldest son of the former King of France.
The leader of this secret society is a mysterious English nobleman known only as the Scarlet Pimpernel, whose signature sign is a humble wayside flower.
Percy reveals his identity to Armand and convinces him to use his connections to Chauvelin to investigate the French prison holding the Dauphin, son of the former King of France.
Following a passionate courtship, Percy marries Marguerite, but soon their happiness is interrupted when he discovers that she apparently signed the arrest warrant of the Marquis de St. Cyr and his family, the man responsible for the previous attack on Armand.
Unaware of her husband's knowledge of her extorted role in the deaths of the St. Cyr family, Marguerite unhappily notices his growing disdain for her and married life.
Marguerite visits her husband in prison, where he tells her to arrange for the Baron de Batz, an Austrian interested in saving the Dauphin, to smuggle the boy out of France the following night.
Filming took place at various eighteenth century sites in England, including Blenheim Palace, Ragley Hall, Broughton Castle, and Milton Manor; also Lindisfarne.
[1] Anthony Andrews had recently won the BAFTA for Best Actor for his performance in the 1981 serial Brideshead Revisited, and was cast as Sir Percy Blakeney/Scarlet Pimpernel.
In addition to that serial, Andrews was also known to American audiences through the PBS ITV& BBC shows Danger UXB and The Duchess of Duke Street as well as several other productions.
[4] The New York Times staff writer John J. O'Connor praised Anthony Andrews' performance as both the heroic and foppish Percy Blakeney.
Ian McKellen's acting as Paul Chauvelin was also highlighted, as O'Connor felt he was "marvelously subtle" in giving "an intricately etched portrait of social envy and sexual jealousy.