Described by All Music Guide as "impeccably made ambient thump-and-drone", Pitchfork Media called it "A beautifully bleak cloud of sound" while XLR8R magazine gave it a 9/10 ranking and praised it as "an astounding range of visceral sonic possibilities…a hurricane passing over an ocean, gathering heat and force while simultaneously cooling the waters below."

During the multimedia live performances, the artist creates his own visuals, manipulating images and footage until they are only recognizable as slow moving shapes, providing a counterpoint to the heavily treated wall of guitar textures.

Later on, appearances at DEMF (Detroit, Michigan) and MUTEK (Montreal, Quebec, Canada) would continue showcasing The Sight Below's brand of immersive guitar music and visual art integration.

Together they toured throughout the Summer in the EU and UK, including a show at the historical Sacred Trinity Church in Manchester, London's The Luminaire club, and a notoriously loud performance during Ghostly's 10-Year Anniversary party at Berlin's infamous Berghain nightclub on June 26, 2009.

In the studio, The Sight Below has worked extensively with the aforementioned Scott and Tiny Vipers, plus Benoît Pioulard, while remixing School of Seven Bells, Detroit's Echospace, and Germany's Pantha Du Prince.