[4] This work specifically is believed to be inspired by an etching by Charles François Daubigny called Gulping it Down (Luncheon on the Boat) created in 1861 and published in 1862.

His depiction of himself at work in his studio boat demonstrates that the scene was not painted completely from observation, marking the beginning of Monet's movement beyond the Impressionist style.

[5] Art historians believe the painting was inspired by Gulping it Down (Luncheon on the Boat) by Charles François Daubigny based on their similar content and compositions.

Manet's piece provides a closer view of the boat and gives more indication of surrounding human activity, integrating the natural and industrial elements of Argenteuil with ease.

Specifically, The Studio Boat (Le Bateau-atelier) has been connected to the artist's successful Mornings on the Seine series from the 1890s due to both works demonstrating Monet's move beyond the Impressionist style.