The Thunderer

[1] The origin of the name is not officially known, though it is speculated that the name is attributed to Myron M. Parker, a prominent DC politician and Freemason.

He joined the Masonic organization earlier in his career and wished to compose a unique song for the body prior to the Twenty-fourth Triennial Conclave of the Grand Encampment.

"The Thunderer" was likely referred to Myron M. Parker, a fellow member of Columbia Commandery, who was organizing the conclave.

[2] The piece is in much the same manner as most of Sousa's music; however, it is one of his first "distinctly American-sounding marches.

There is a ritardando leading into the repeat of the final theme, segueing to the piece's conclusion.