With the plot under way, he realizes that this is the home of his love interest, and he desperately tries to prevent the bomb from exploding.

Herr von Schmitt, a young musician, came to USA country from Germany and makes his living teaching violin.

At home he was imbued with the doctrines of Karl Marx, a propagandist for the communist principles of socialism.

Von Schmitt, however, having succeeded moderately in providing comfort with his art, gradually wears away his former greedy spirit and listens to the persuasive arguments of his former companions.

Von Schmitt, unable to contain himself any longer, confesses his love during a lesson in his studio, but is rejected because of the difference in class.

Before him, cinema was based on a theatrical performance, with an open (general) shot in which all the action takes place.

Griffith overcomes all this by betting on a narrative language and vindicates the director as the figura of maximum responsibility for films (auteur politics).

He begins to raise money with financing from investment banks to make these two feature films.