Theatre music

In Greek drama in the fifth century BC, choric odes were written to be chanted and danced between the spoken sections of both tragedies and comedies.

[1] Playwrights including Racine, Yeats and Brecht wrote original plays in styles derived from ancient drama, with sung commentaries by a chorus or narrator.

In late 16th century Florence, attempts to revive ancient Greek drama, with sung vocal contributions, developed into the modern genre of opera.

[3] By the early 18th century, music was firmly established as part of practically all theatrical performances in Europe, whether of opera, dance, or spoken drama.

Theatres were built with orchestra pits, and music was either specially composed for the production or appropriated and arranged from existing material.

Page from Arthur Sullivan 's manuscript of the Act 1 finale of The Yeomen of the Guard (1888)