Thelma Afford

Thelma May Afford (née Thomas) (1 December 1907 – 21 August 1996) was an Australian costume designer, theatre performer, and fashion journalist who worked in Adelaide, Melbourne, and Sydney.

Max Afford and Thelma met when she was designing the costumes for his play Colonel Light: The Founder at the Tivoli, Adelaide.

Leslie Rees, a close friend of the Affords, described their marriage: "Between husband and wife, there was the deepest and most tender affinity in all matters and on all levels.

"[4] In the early 1930s, Thelma Thomas was an actress in Adelaide, collaborating notably with the Ab-Intra Studio Theatre for Woman Song, The Robe of Yama, The Stained-Glass Window, and The Aspen Tree in 1932.

[17] She remarked that costumes for TV were different than for the stage since the focus was on the upper-body of the actors instead of the silhouette, and the filming was in black-and-white, more precisely 9 shades of grey.

[18] Afford authored articles in drama journals, newspapers, and a posthumously published a book titled Dreamers and Visionaries on the little theatres in Adelaide in the first half of the 20th century.

Max and Thelma, circa 1950
Ballet costume for Adelaide's Centenary Pageant, 1936, original watercolour by Thelma Thomas
Afford working on Sydney's Sesquicentenary "March to Nationhood", 1938
Jessie Deakin Brookes as the State of Victoria including a headpiece modelled on the Yallourn power station transmission tower