His stepfather assumed charge of the boy and sent him, in 1581, to study at Peterhouse, Cambridge as a "gentleman pensioner"; he left the university after four years without taking a degree.
[5] The body of his works is considerable, the earliest known being a group of five anonymous poems included in the "Songs of Divers Noblemen and Gentlemen", appended to Newman's edition of Sir Philip Sidney's Astrophel and Stella, which appeared in 1591.
[1] In 1607, he wrote and published a masque[6] for the occasion of the marriage of Lord Hayes, and, in 1613, issued a volume of Songs of Mourning: Bewailing the Untimely Death of Prince Henry, set to music by John Cooper (also known as Coperario).
[10] In 1618 appeared the airs that were sung and played at Brougham Castle on the occasion of the King's entertainment there, the music by George Mason and John Earsden, while the words were almost certainly by Campion.
Umbra Elegiarum liber unus, a reprint of his 1595 collection with considerable omissions, additions (in the form of another book of epigrams) and corrections.
[1] Campion made a nuncupative will on 1 March 1619/20 before "divers credible witnesses": a memorandum was made that he did "not longe before his death say that he did give all that he had unto Mr Phillip Rosseter, and wished that his estate had bin farre more", and Rosseter was sworn before Dr Edmund Pope to administer as principal legatee on 3 March 1619/20.
The vogue of the song-books was even more ephemeral, and, as in the case of the masque, the Puritan ascendancy, with its distaste for all secular music, effectively put an end to the madrigal.
Occasional mention is made of Campion ("Campian") in the comic strip 9 Chickweed Lane (i.e., 5 April 2004), referencing historical context for playing the lute.