He is especially known for the production of grandiose and sumptuous memorial chapels, sepulchral monuments and epitaphs, which can be found in churches throughout Denmark and northern Germany's Schleswig-Holstein area.
He arrived in 1689 and supervised the work on the tomb designed by his father for Field Marshal Hans Schack (1609–76) in Trinity Church (Trinitatiskirke), Copenhagen.
The commission to create the Ulrik Frederik Gyldenløve monument in Our Lady Church (Vor Frue Kirke), Copenhagen in August 1689 was the catalyst for his extended stay and successful career in Denmark.
Due to the volume and scope of work he produced, he opened in 1689 a workshop in Lübeck, which specialized in funerary monuments for Danish and north German patrons.
His assistants Breusegem and Cuekelaere executed in 1697 the sculptures for the altar at Our Saviour's Church (Vor Frelsers Kirke), Copenhagen after Quellinus' design.
The others were Hendrick Krock, Wilchen Riboldt, Jacob Coning, Otto de Willarts, and Georg Saleman — all artists in the service of the court.