Lacy designed Three Weeks in May in collaboration with artists Leslie Labowitz, Jill Soderholm, Melissa Hoffman and Barbara Cohen.

[1] Lacy designed the expanded performance to be a "simultaneous juxtaposition of art and non-art activities within an extended time frame, taking place within the context of popular culture.

[2][3] Media was integral to the performance structure of Three Weeks, both as a means to create a public dialogue about rape and a way to bring disparate nonviolence organizations and ideologies together on a common issue.

[5] Labowitz organized a performance series addressing rape that was held at lunchtime in the underground City Mall Shopping Center for four consecutive days.

The women then wrote their experiences on paper that was taped to the location where they were sexually assaulted on one of the maps that covered the walls of the small gallery space.

A winged lamb carcass was suspended from the ceiling and four performers, each having experienced sexual violence, sat silently above the door, naked and covered in red greasepaint.

[8] Lacy and Labowitz continued to collaborate on public art projects, addressing gender violence again that December with their In Mourning and in Rage event.