There was concern in the company that the song would harm Frente's move to a more adult sound, which they were trying with the Shape album (released a year later in 1996).
Tingly, has a lush, retro Brit pop feel, a bit like Saint Etienne - all open top cars, flowing scarves and endless motorways.
Picture (in black and white) Julie Christie skipping through English suburban streets happy with the thought that Terence Stamp is awaiting her arrival at the local as the strings swirl, the beat intensifies and the fragile vocal builds to a euphoric peak.
A grandiose, enormous, hugely gorgeous pop epic reminiscent of Dusty Springfield meets the Pet Shop Boys, Tingly is everything music should be.
And it is totally brilliant - the most glorious old-fashioned pop song redolent of '60s Motown, the Box Tops, the Equals, Dusty Springfield, Kathy Kirby, the British beat boom, all rolled into one litany of harmony and melody set over sweeping, coiling keyboards, tramping drums, a burbling bass and the most effervescent, perfect, vocal Angie Hart (of Frente) has delivered in her life.