To Have and Have Not (film)

To Have and Have Not is a 1944 American romantic war adventure film directed by Howard Hawks, loosely based on Ernest Hemingway's 1937 novel of the same name.

It stars Humphrey Bogart, Walter Brennan and Lauren Bacall; it also features Dolores Moran, Hoagy Carmichael, Sheldon Leonard, Dan Seymour, and Marcel Dalio.

The plot, centered on the romance between a freelancing fisherman in Martinique and a beautiful American drifter, is complicated by the growing French resistance in Vichy France.

However, the screenplay was altered to be set in Martinique, because the portrayal of Cuba's government was believed to be in violation of the United States' Good Neighbor policy.

In the summer of 1940, world-weary Harry Morgan operates a sport-fishing boat, the Queen Conch, in Fort-de-France, on the French colony of Martinique.

Johnson insists he hasn't enough ready money to square his account, but promises to get the funds when the banks open the next day.

Also at the hotel, Harry first sees Marie ("Slim") Browning, a young American wanderer who has recently arrived on the plane from Rio.

Seeking to avoid the advances of a drunken Johnson she volunteers a duet of "Am I Blue" with pianist Cricket and his ensemble in the hotel bar.

He forces her to hand over the wallet, which is found to contain $1,400 in traveler's cheques and a plane ticket for early the next morning before the banks open.

Back at the hotel, Gérard offers to hire the now effectively penniless Harry to transport Resistance members Paul de Bursac and his wife Hélène from a nearby islet to Martinique.

Her hopes are shattered when he uses the bulk of the money he earned in transporting the fugitives to buy her a ticket back home to America on the next plane out.

The de Bursacs are hidden in the basement of the hotel; at Frenchy's request, Harry removes the bullet from Paul's shoulder.

He learns the couple have come to Martinique to help a man escape from the penal colony at Devil's Island in order to aid the Free French.

Cornered in his hotel room by the Vichy authorities, Harry turns the tables, killing one and holding police captain Renard at gunpoint.

Harry, Eddie, and Slim then head together for the Queen Conch, with the intention of meeting up with Frenchy and the de Bursacs, to free the man from Devil's Island.

He stated that the characters must be softened, the studio must remove all suggestions of inappropriate sexual relations between men and women, and that murder must be made clear to appear as self-defense.

[28] As the movie was filmed during World War II, Hawks moved the setting from Cuba to Vichy-controlled Martinique as required by the Office of the Coordinator of Inter-American Affairs to placate the Roosevelt administration.

[29] Writer William Faulkner was hired on by Hawks on February 22, 1944, to avoid recounting political conflict between Free France and the Vichy government in the story line and to satisfy the Production Code.

It was reportedly Faulkner's idea to change the setting of the film to Martinique, because he had been working on an unproduced story line involving Charles de Gaulle, so he was familiar with the details.

He also states that although elements of Hemingway, Faulkner, and Casablanca can be found in the film, it represents Hawks's capacity for expression, claiming it is, "beyond doubt, exactly the work its director intended it to be, and would have been nothing like this in the hands of anyone else.

[50] This myth is disputed in Leonard Maltin's Movie Guide entry for this film, but the myth is propagated in a 1986 episode of MacGyver, entitled "Three for the Road", when the character of a movie veteran asks his wife this particular question, whereupon she answers that Andy Williams, when 14, did dub the voice for Lauren Bacall.

[53] In fact, Bacall's low singing voice in the film helps her character establish a form of masculine dominance.

This quote came from the earlier 1939 Hawks film Only Angels Have Wings in which Jean Arthur says to Cary Grant, "I'm hard to get, Geoff.

Early publicity and much of the initial reaction focused on Lauren Bacall, either praising her or criticizing her part as merely a gimmick for attention from the press.

The critical consensus states, "With Howard Hawks directing and Bogey and Bacall in front of the cameras, To Have and Have Not benefits from several levels of fine-tuned chemistry—all of which ignite on screen.

"[68] The film portrays anti-fascist themes common to the time period through its emphasis on individual liberty expressed through Bogart's character and through its representation of people progressing and working together well.

Along with Harry Morgan's transformation, the Humphrey Bogart persona changed along the years, making him an important casting decision for the film.

[85] Warner Brothers adapted the novel a second time with the film The Breaking Point (1950) directed by Michael Curtiz, who was also credited for Casablanca.

From 1951 to 1952, Humphrey Bogart and Lauren Bacall participated in a weekly, half-hour radio adventure series called Bold Venture, intended to be a spin-off of To Have and Have Not.

[91][92] Bacall to Arms is a 1946 Looney Tunes short, spoofing scenes from To Have and Have Not, and featuring "Bogey Gocart" and "Laurie Bee Cool."

Bacall, Dalio and Bogart together in Bogart's hotel room
Bogart and Bacall, whose onscreen attraction led to an affair, then a long-term marriage
Left to right: Dan Seymour , Aldo Nadi , Humphrey Bogart, Sheldon Leonard , Marcel Dalio and Lauren Bacall in To Have and Have Not
Ernest Hemingway
Poster for To Have and Have Not