His technique and style has been distilled through study and response to centuries of Western Art History, particularly Northern European woodcuts.

As described in the journal Art in Print, Huck's "elaborate compositions roil with bawdy images of sex, gluttony and violence, delivered in intricately-carved woodcuts of monumental scale that reference his art historical heroes: printmakers from Master ES to Max Beckmann.".

He works from his "Spiderhole Studio/Evil Prints workshop in the Saint Louis, Missouri area, with a separate gallery downtown called Grafik House.

[2] In his own words, "My work deals with personal observations about the experiences of living in a small town in southeast Missouri.

The often strange and humorous occurrences, places, and people in these towns offer a never-ending source of inspiration for my prints.

[9]Hück’s latest work, A Monkey Mountain Kronikle: A Devotional Woodcut for the Ages, is a Medieval altarpiece on paper, inspired by famous altarpieces by Jan van Eyck and other Flemish painters of the late Middle Ages.

[13] Hück draws his influences mainly from Northern Renaissance masters, such as Albrecht Dürer whom he cites as a "print hero".