Tombstone is a 1993 American Western film directed by George P. Cosmatos, written by Kevin Jarre (who was also the original director, but was replaced early in production[4]), and starring Kurt Russell and Val Kilmer, with Sam Elliott, Bill Paxton, Powers Boothe, Michael Biehn, and Dana Delany in supporting roles, and narration by Robert Mitchum.
It depicts several Western outlaws and lawmen, such as Wyatt Earp, William Brocius, Johnny Ringo, and Doc Holliday.
[5] In 1879, members of an outlaw gang known to wear red sashes called the Cowboys, led by "Curly Bill" Brocius, ride into a Mexican town and interrupt a local police officer's wedding.
Shortly before being shot, a local priest warns them that their acts of murder and savagery will be avenged, referencing the biblical Four Horseman of the Apocalypse.
Wyatt Earp, a retired peace officer with a notable reputation, reunites with his brothers Virgil and Morgan in Tucson, Arizona, where they venture on toward Tombstone to settle down.
There they encounter Wyatt's long-time friend Doc Holliday, who is seeking relief in the dry climate from his worsening tuberculosis.
Wyatt takes Curly Bill into custody, fending off both a mob attempting to lynch the Cowboy and a handful of his brethren seeking to free him.
A despondent Wyatt and his family leave Tombstone and board a train, with Ike Clanton and Frank Stilwell close behind, preparing to ambush them.
[8] The new director brought a demanding, hard-nosed sensibility to the set, which led to conflicts with some of the crew members (most famously with cinematographer William Fraker).
Meanwhile, Kurt Russell worked quickly with producer James Jacks to pare down Jarre's sprawling script, deleting subplots and emphasizing the relationship between Wyatt and Doc.
[9] “One way or another, Americans have to deal with the West and its glorious, sordid, sadistic past…we fought lawnessness to create an even more lawless law, one that excused and perpetuated genocide.
Even today, this gun-obsessed nation that we love remains mired in a dilemma centered on pistols and rifles with romantic ties to our murderous past.
We continue killing ourselves in an unconscionable way…That’s why when I had the chance to play Doc Holiday, I grabbed it.” Russell has stated that it was he, and not Cosmatos, who directed the film, as Jarre's departure led to the studio's request.
[13] Cosmatos was highly focused on accurate historical detail, including the costumes, props, customs, and scenery, to give them authenticity.
Val Kilmer practiced for a long time on his quick-draw speed and gave his character a genteel Southern accent.
[1] The widescreen high-definition Blu-ray Disc edition of the theatrical cut was released on April 27, 2010, featuring the making of Tombstone, director's original storyboards, trailers, and TV spots.
[22] Tombstone premiered in movie theaters six months before Lawrence Kasdan's Wyatt Earp, on December 24, 1993, in wide release throughout the United States.
The site's critical consensus reads, "If you're seeking a stylish modern western with a solid story and a well-chosen ensemble cast, Tombstone is your huckleberry.
[31] Ebert would later refer to Tombstone in future reviews, comparing it favorably to Kevin Costner's Wyatt Earp ("It forced the comparison upon me.")
"[34] In a mixed review, Chris Hicks writing in the Deseret News said, "aside from Russell and Val Kilmer's scene-stealing, sickly, alcoholic Doc Holliday, there are so many characters coming and going, with none of them receiving adequate screen time, that it becomes difficult to keep track of them all."
"[36] Emanuel Levy of Variety believed the film was a "tough-talking but soft-hearted tale" which was "entertaining in a sprawling, old-fashioned manner."
Regarding screenwriter Jarre's dialogue, he noted, "Despite the lack of emotional center and narrative focus, his script contains enough subplots and colorful characters to enliven the film and ultimately make it a fun, if not totally engaging experience."
James Berardinelli writing for ReelViews offered a negative review, recalling how he thought, "The first half of Tombstone isn't an example of great filmmaking, but it is engaging.
"[38] Stephen Holden writing in The New York Times saw the film as being a "capacious Western with many modern touches, the Arizona boom town and site of the legendary O.K.
He expressed his satisfaction with the supporting acting, saying, "[the] most modern psychological touch is its depiction of Josephine (Dana Delany), the itinerant actress with whom Wyatt falls in love at first sight, as the most casually and comfortably liberated woman ever to set foot in 1880s Arizona.
"[39] Owen Gleiberman of Entertainment Weekly gave the film a C− rating, calling it "preposterously inflated" at "135 minutes long".
He negatively acknowledged that there was "a misguided romantic subplot and the ending rather sprawls" but ultimately exclaimed the film was "'rootin', tootin' entertainment with lots of authentic facial hair.
"[42] Alternately though, columnist Bob Bloom of the Journal & Courier openly remarked that the film "May not be historically accurate, but offers a lot of punch for the buck."