[15] Michael Madden of Consequence of Sound gave the album a grade of A, writing "Tomorrow's Hits doesn't boom like The Men's early material (namely, 2010’s Immaculada and 2011’s Leave Home), but it's more rousing instrumentally than last year's New Moon."

"[17] Paste's Ryan Prado also gave the album a positive review, writing "Tomorrow's Hits, is almost unfairly possessive of a foretelling title, seeing as how vanilla some of the songs can come off sounding.

"[19] In another positive review, Spin's Jon Young wrote, "Given the stylistic zig-zagging, the Men can't claim a master plan, apart from keeping themselves entertained, which should suffice.

"[23] Jazz Monroe gave the album a grade of 8 out of 10, writing, "The real genius of Tomorrow's Hits is its shaking off not just fan expectations but the almighty shackles of credibility, innovation and, for want of a subtler term, corporate buzz-band etiquette.

"[18] Matthew Fiander of Popmatters gave the album a mixed review, writing "There's still a solid core to Tomorrow's Hits, one that cleans up the band's talents and puts them on display in innovative songs.

"[25] At Alternative Press, Robert Ham rated the album three-and-a-half stars out of five, saying that "The majority of the tracks on Tomorrow's Hits feel like they were cooked in the backyards of Laurel Canyon with ambling rhythms, the lilt of lap steel guitar and an air of stoned desperation lingering over it all like smog.