There were approximately twelve submissions; including songs from Swan Lee, Pulp, Saint Etienne, Marc Almond, and Sheryl Crow.

In the meantime, a bold, brassy number in the classic John Barry/Shirley Bassey vein that Arnold himself wrote with David McAlmont and lyricist Don Black with the intent of being a theme, was relegated to the end credits with the title "Surrender".

Because the title song was changed so close to the film's release date, there was no time to work Crow's melody into any of the score.

As a result, melody patterns from "Surrender" appear prominently many times in the score, mainly in the action cues, but it can also be heard in the dramatic "All in a Day's Work" track.

[9] In 2022, La-La Land Records released a two-disc limited and expanded edition of the complete score by Arnold.