Torre de la Parada

During the years 1635–40 it was a site for a major architectural and decorative project by King Philip IV of Spain who was a great hunting enthusiast.

He commissioned the Spanish architect Juan Gómez de Mora to renovate it in 1636, and had it decorated by leading painters, including Rubens and Velázquez, who contributed some of his "jester" portraits, including The Jester Don John of Austria, The Jester Don Diego de Acedo, Portrait of Francisco Lezcano and Portrait of Pablo de Valladolid.

[3] His Aesop and Menippus are also thought to have been intended for the lodge, as well as several of his well-known portraits of the royal family relaxed in hunting or riding clothes, including Prince Balthasar Charles as a Hunter.

Rubens was commissioned in 1636 to produce sixty mythological paintings, which he managed to do in about 18 months, assisted by Jacob Jordaens, Cornelis de Vos, Peter Snayers, Thomas Willeboirts Bosschaert, Theodoor van Thulden, Jan Boeckhorst and others, working to his designs.

The best paintings were later moved elsewhere, especially in 1710, but in 1806 a travel book describes paintings by the Flemish painters Paul de Vos, Erasmus Quellinus II, Thomas Willeboirts Bosschaert, Jan Cossiers, and "Yoris" (possibly Joris van Son who worked with Erasmus Quellinus).

Torre de la Parada by Felix Castello ca. 1640.
Torre de la Parada, c. 1670. [ 1 ]