Trần Cao Vân

He orchestrated an attempt to expel the French and install Emperor Duy Tân as the boy ruler of an independent Vietnam, but the uprising failed.

The prefecture was also the home area of General Hoàng Diệu, who commanded the garrison Citadel of Hanoi when it fell to France in 1882 and then committed suicide, marking the start of colonisation.

Hoàng Diệu's body was brought back to the area for a full dress funeral, generating a large upswell in anti-French and anti-Catholic nationalist sentiment.

By 1885, Vân had concluded that pursuing a career in the imperial court through the mandarinate examination was pointless in the face of French control of the monarchy, so he bade farewell to his family and entered a Taoist temple in the mountains of Đại Lộc District.

[1] Although the religious abode may have suggested a purely spiritual lifestyle, Vân also used the temple as a meeting place for anti-colonial discussions, while another scholar friend travelled the adjacent districts attempting to make contacts.

[3] At the time, The Emperor of Vietnam was Duy Tân, who was still a boy and French colonial authorities had hoped that he would be a pliant puppet who would not seek to inspire revolt among the populace.

A few of the mandarins in the court felt that Duy Tân had an independent and inquisitive streak that could be exploited and used as a symbol for an anti-French revolt in the central provinces.

At the time, the Vietnamese soldiers who had been recruited by the French for domestic purposes were also restive; there was a general fear that with the outbreak of World War I, they would be sent to the frontline in Europe.

The plan was for Duy Tân to escape the palace, then signal assaults on the French installations with artillery and elephants, as well as a royal order declaring a general revolt.

[4] However, Vân and the plot leaders were unaware that the French had discovered the conspiracy, and went ahead with their planned upring on the night of May 2, 1916, spiriting Duy Tân out of the imperial palace.

Trần Cao Vân