It is the first TV special based on the comic strip Peanuts, by Charles M. Schulz, and features the voices of Peter Robbins, Christopher Shea, Kathy Steinberg, Tracy Stratford, and Bill Melendez.
It received an Emmy and a Peabody Award, and became an annual presentation in the United States, airing on broadcast television during the Christmas season for 56 years before becoming exclusively available on Apple TV+ streaming service.
On their way to join their friends ice skating on a frozen pond, Charlie Brown confesses to Linus van Pelt that, despite all the things he likes about the Christmas season, he is still depressed.
Charlie Brown becomes even more discouraged by his observations of Christmas' commercialization as he heads for the rehearsal: Lucy laments over not receiving real estate for Christmas; Snoopy decorates his doghouse for a neighborhood lights and display contest; and Charlie Brown's younger sister Sally asks him to write a greedy letter to Santa Claus.
At the rehearsal, Charlie Brown finds a play fit for the 1960s with dancing, lively music, an uncooperative cast and a "Christmas Queen" (Lucy).
Realizing that he does not have to let commercialism ruin his own Christmas, Charlie Brown takes the tree home to decorate it and show the others that it will work in the play.
The others arrive at Snoopy's doghouse and as they all start to see its potential, Linus gently uprights the drooping tree and wraps his blanket around its base to give it some support.
[12] By April 1965, Time featured the Peanuts gang on its magazine cover, prompting a call from John Allen of the New York-based McCann Erickson Agency.
"[8] Schulz's estimation proved accurate, and in the 1960s, fewer than nine percent of television Christmas episodes contained a substantive reference to religion, according to university researcher Stephen Lind.
[20] In the days following the special's sale to Coca-Cola, Mendelson and animator Bill Melendez met with Schulz in his home to expand upon the ideas promised in the pitch.
Schulz wanted a part of the special to feature the character of Schroeder performing Beethoven, and Mendelson combined this with the inclusion of Vince Guaraldi's "Linus and Lucy" number.
[4] Lead character Charlie Brown's voice was decided to be downbeat and nondescript ("blah," as Mendelson observed), while Lucy should be bold and forthright.
[6] According to Robbins, the children viewed the script's sophisticated dialogue as "edgy," finding several words and phrases, among them "eastern syndicate", difficult to pronounce.
[8] Following the special's broadcast, the children became wildly popular in their respective elementary schools; Robbins recalled groups approaching him asking him to recite lines of dialogue.
[8] The first instrumentals for the special were recorded by Guaraldi at Glendale, California's Whitney Studio with bassist Monty Budwig and drummer Colin Bailey.
[28] In the weeks preceding the premiere, Mendelson encountered trouble finding a lyricist for Guaraldi's instrumental intro, and penned "Christmas Time is Here" in "about 15 minutes" on the back of an envelope.
[16] The special opens and closes with a choir of children, culled from St. Paul's Episcopal Church in San Rafael, California, performing "Christmas Time Is Here" and "Hark!
In addition, the children recorded dialogue for the special's final scene, in which the crowd of kids shout "Merry Christmas, Charlie Brown!
Guaraldi brought in bassist Fred Marshall and drummer Jerry Granelli to record the music, and spent time later re-recording earlier tracks, including covers of "The Christmas Song" and "Greensleeves."
[30] Despite this, other individuals have come forward claiming to have recorded the special's music: bassists Eugene Firth and Al Obidinski, and drummers Paul Distel and Benny Barth.
Although Vince had never scored anything else and although I was basically a documentary film maker at the time, we started to work together on the cues because we both loved jazz and we both played the piano.
[8] The special received critical acclaim: The Hollywood Reporter deemed the show "delightfully novel and amusing," while the Weekly Variety dubbed it "fascinating and haunting.
"[36] Ben Gross of the New York Daily News praised the special's "charm and good taste," while Rick DuBrow of United Press International predicted, "the Peanuts characters last night staked out a claim to a major television future.
Snoopy's dog bowl was repainted red instead of white, Lucy now makes a whirling noise when scared out of her psychiatric booth, new animation was placed in scenes where the children dance on stage after the first time to avoid repetition, music was added in the background of the rehearsal scenes, and Snoopy no longer sings with the children in the final carol, amongst others.
On December 6, 2001, a half-hour documentary on the special titled The Making of 'A Charlie Brown Christmas' (hosted by Whoopi Goldberg) aired on ABC.
The 50th anniversary broadcast aired on November 30, 2015, and it featured a full two-hour time slot that was padded by a special, It's Your 50th Christmas, Charlie Brown, which was hosted by Kristen Bell, and featured musical performances by Kristin Chenoweth, Matthew Morrison, Sarah McLachlan, Boyz II Men, Pentatonix, David Benoit, and the All-American Boys Chorus.
[51][52] After mounting criticism over Apple's decision to remove the Peanuts specials from free television, the company announced a deal with PBS to resume the annual broadcast tradition.
On September 23, 2008, Warner Home Video (to which the rights to the Peanuts specials reverted earlier in the year, due to Melendez's connections to WB) released a "remastered" DVD.
[57] It also, according to author Charles Solomon, established the half-hour animated special as a television tradition, inspiring the creation of numerous others, including How the Grinch Stole Christmas!
[62] In 2013, Tams-Witmark Music Library, Inc. began licensing an official stage version of the television special authorized by the Schulz family and Lee Mendelson.