McAuley left and moved to Dublin where he joined The Kult with Paul Brady from about April to December 1965.
Her roommate started a romantic relationship with the band's guitarist, Martin Quittenton and the three of them moved to Notting Hill Gate.
Sears was sharing a flat with Jackie McAuley and they, together with Dyble, rehearsed a number of songs and were planning to perform as a trio, but Sears decided to go to the US to join Silver Metre (with Leigh Stephens), then Stoneground, Copperhead, Jefferson Starship and Hot Tuna, leaving Dyble and McAuley to continue as a duo.
The flight back from Aberdeen was delayed by fog, so Jack and I listened to ‘Tea for the Tillerman’ being virtually written in front of our ears, and singing along with it.
The duo recruited Hugh Thomas on guitar and Ian Gumblefinger on bass to tour the album.
Shortly after, Jackie McAuley decided to pursue a solo career, to form The Poor Mouth, and to work as a valued session musician and as Lonnie Donegan's musical director and sideman.
She returned to music and performed at Fairport Convention's Cropredy Festival in the 'Anniversary' years of 1997, 2002 and 2007 and pursued a solo recording career.
To coincide with this, Stuart Maconie made a one-hour biopic radio special on Dyble's career for his BBC 6 Music programme "Freak Zone", as well as a significant piece in Record Collector.
Jackie and Judy agreed to reunite as Trader Horne for a one-off show on 29 November 2015 at Bush Hall in London, to celebrate 45 years since Morning Way was first released.
This article shares its genesis with material in the public-domain source on Judy Dyble's website (see 'External links' below).