Trapeze (band)

Hot Wire was released in late 1974 and a second self-titled album followed in 1975, after which the classic trio briefly reunited for a tour in 1976 when Hughes returned following Deep Purple's breakup.

In 1991, Hughes, Galley and Holland reunited Trapeze for a string of tour dates the following year, adding Asia keyboardist Geoff Downes for the shows.

[4] The band reportedly declined an offer to join Apple Records, the label founded by The Beatles, as they believed that they would have more creative freedom with Threshold.

[8] Before the end of the year, the Rowley composition "Send Me No More Letters" was released as the band's first single, backed with "Another Day" (written by Galley, Hughes and Jones).

[23][24] In April 1973, Deep Purple members Ritchie Blackmore, Jon Lord and Ian Paice attended a Trapeze show at the Whisky a Go Go in Los Angeles, California, with a view to asking Hughes to replace bassist Roger Glover in the band.

When approached at another show the following month, Hughes declined the invitation in favour of remaining with Trapeze, claiming that he was "in a very, very different frame of mind as a musician" at the time and dubbing Deep Purple "too basic rock for me".

[38] Rowley remained in the touring lineup of the band for the Hot Wire cycle and featured on the album Live at the Boat Club 1975, although again not credited as a group member.

[40] Billboard praised Trapeze as an example of "tight, cooking, soul-tinged hard rock",[41] although AllMusic's Dave Thompson criticised it as "a dour little disc, desperately missing the funk infusions of Glenn Hughes and, for the most part, overshadowed even by its disappointing predecessor".

[42] Galley and Holland briefly took a break from Trapeze in November to complete a British concert tour with Justin Hayward and John Lodge, in promotion of their collaboration album Blue Jays, released earlier in the year.

[43] The following year, after Deep Purple broke up, Hughes temporarily reunited the classic trio of Trapeze for The Appreciation Tour, which was scheduled to visit the US in August and the UK in September.

[29][45] Speaking about the brief reunion in 2007, Galley recalled that Hughes "wasn't in a good state of mind at the time", suggesting that "if we could have carried the electricity of those shows on, we could have known no bounds".

[29] During their reunion, the trio also recorded a number of new songs, including "L.A. Cut Off" and "Space High", both of which were later released on Hughes's debut solo album Play Me Out in 1977.

[1] Signing a deal with newly formed label Aura Records,[47] the band released their final studio album Hold On in late 1979, produced by Jimmy Miller.

[48] The album received a positive review from Billboard magazine, which described it as "a noticeably strong ... LP that takes its strength from the tight vocal harmonies and solid original material", suggesting that "Several of the songs included here could become AOR staples".

[50] AllMusic's Steve Huey hailed Hold On as "quite possibly [Trapeze]'s best" album, while his colleague Joe Viglione praised it for its songwriting and production qualities.

[55] Mervyn Spence (bass, lead vocals) and Richard Bailey (keyboards) joined the band later in the year, and in 1982 Bray was replaced by Kex Gorin.

[19] On 9 February 1994, the band performed at the Irving Plaza in New York City as part of a concert dedicated to vocalist Ray Gillen, who had died on 1 December 1993.

The Moody Blues bassist John Lodge produced the first two albums by Trapeze, 1970's Trapeze and Medusa .
Glenn Hughes left the band in 1973 to join Deep Purple , although briefly returned for a tour in 1976.
Trapeze broke up in 1982, when Mel Galley – by then, the only remaining original member – joined Whitesnake .