Traum durch die Dämmerung

It is the first of three songs by Strauss based on love poems by Bierbaum, composed and published in Munich in 1895, and dedicated to Eugen Gura.

The theme is a man going to meet a beloved woman, as in Johann Wolfgang von Goethe's 1771 poem "Willkommen und Abschied" (Welcome and Farewell).

Weite Wiesen im Dämmergrau; Die Sonne verglomm, die Sterne ziehn; Nun geh' ich hin zu der schönsten Frau, Weit über Wiesen im Dämmergrau, Tief in den Busch von Jasmin.

Durch Dämmergrau in der Liebe Land; Ich gehe nicht schnell, ich eile nicht; Mich zieht ein weiches, sammtenes Band Durch Dämmergrau in der Liebe Land, In ein blaues, mildes Licht.

The term Dämmergrau, a combination of Dämmerung (twilight) and grau (grey), repeated four times (in lines 1 and 4) contrasts with the final word Licht (light).

29 on one day, 7 June 1895,[6] the year after he married Pauline de Ahna and settled in Munich, the town of his birth.

[10] Strauss reportedly completed "Traum durch die Dämmerung" in the only 20 minutes his wife gave him before an errand.

[7][11] He scored the three songs, which all contemplate walking, for medium voice and piano, and dedicated them to Eugen Gura, a leading baritone of the court opera in Munich.

"Traum durch die Dämmerung" also appeared in English in a translation by John Bernhoff and Nelia Fabretto,[1] in transpositions for low and high voice, and with an orchestral arrangement by Robert Heger.

[12] Strauss quoted the music, along with several other early works, in the fifth section of his tone poem Ein Heldenleben (A Hero's Life), Op.

[1][12] In the version for medium voice, the music of "Traum durch die Dämmerung" begins in F-sharp major.

When the view changes in line 3 from observation of nature to the destination, the key shifts abruptly to B-flat major,[5] and the word "schönsten" (most beautiful) is accented by a long high note.

"Traum durch die Dämmerung" was composed by Alfred von Sponer as the second of Drei Lieder für 1 mittlere Singstimme mit Pianofortebegleitung (Three songs for medium voice and piano accompaniment), Op.

Drawing of Otto Julius Bierbaum from 1897
Richard Strauss in 1886