This zest for life camouflages a deep distrust for Polish people and his wariness over digging into the past so Ruthie does not become another deceased loved one, which is not an irrational fear after the Kielce Pogrom in July 1946, which is explicitly referenced.

[13] Ben Roll of TheWrap wrote that "...“Treasure” pulls at the impossible understanding between a generation of survivors and the children they reared – kin separated by incompatible visions and experiences of the world, casting orphans against progeny raised in quiet grief while spared from similar heartbreak.

"[14] David Erhlich of IndieWire gave the film a B-, and wrote: "Adapted from Lily Brett’s autobiographical 1999 novel “Too Many Men,” “Treasure” is essentially an intergenerational story about the walls that people build in order to protect themselves and each other.

"[15] Alex Godfrey of Empire rated the film 3/5, and wrote: "Director Julia von Heinz takes on a lot here, wrangling a lightly comedic father-daughter road-trip buddy-movie out of her adaptation of a 542-page book, unpacking generational trauma, the legacy of Auschwitz and institutionalised antisemitism.

"[19] Ben Rolph in AwardsWatch graded the film C, and wrote: "Dunham’s connection to the story cannot save her stilted line delivery, every word feels forced as if just read off the page giving a frustrating lack of authenticity in her performance.