The group's ability to match expansive free blowing with intriguing song forms is most pronounced on the ensemble's version of Stanley Cowell's joyful waltz, "Effie."

The aptly named Workman moves up any session he's on a couple notches, and he's at his best here laying down a foundation of expansive, elastic lines and contributing powerful solos.

He also contributes two pieces, including a tribute to fellow drummer Ed Blackwell that features metric trickery and interlocking piano and saxophone lines.

Guest Oliver Lake feasts on the support he receives, delivering a number of hearty orations".

[5] Jack Fuller of Chicago Tribune wrote: "Oliver Lake`s alto saxophone and Mulgrew Miller`s piano complement one another on this set, recorded in 1988.