The Trojan Women

The other works in the tetralogy include the tragedies Alexandros and Palamedes, and the comedic satyr play Sisyphus, all of which are largely lost, and only fragments survive.

Hecuba: O land that reared my children!Euripides's play follows the fates of the women of Troy after their city has been sacked, their husbands killed, and their remaining families taken away as slaves.

The widowed princess Andromache arrives and Hecuba learns from her that her youngest daughter, Polyxena, has been killed as a sacrifice at the tomb of the Greek warrior Achilles.

The Greek leaders are afraid that the boy will grow up to avenge his father Hector, and rather than take this chance, they plan to throw him off from the battlements of Troy to his death.

While he remains resolved that he will slay her when they return to Greece, at the end of the play it is revealed that she is still alive; moreover, the audience knows from Telemachus' visit to Sparta in Homer's Odyssey that Menelaus continued to live with Helen as his wife after the Trojan War.

[citation needed] Cypriot-Greek director Michael Cacoyannis used Euripides' play (in the famous Edith Hamilton translation) as the basis for his 1971 film The Trojan Women.

[citation needed] A 1905 stage version, translated by Gilbert Murray, starred Gertrude Kingston as Helen and Ada Ferrar as Athena at the Royal Court Theatre in London.

[citation needed] Israeli playwright Hanoch Levin (1943–1999) wrote his own version of the play, The Lost Women of Troy, adding more disturbing scenes and scatological details.

[citation needed] In 1974, Ellen Stewart, founder of La MaMa Experimental Theatre Club in New York City, presented The Trojan Women as the last fragment of a trilogy (which included Medea and Electra).

With staging by Romanian-born theatre director Andrei Serban and music by American composer Elizabeth Swados, this production went on to tour more than 30 countries over the course of 40 years.

[citation needed] In 2000, the Oregon Shakespeare Festival produced the play in modern costumes and props, with the Greek soldiers wearing camouflage and carrying assault rifles.

[14] David Stuttard’s 2001 adaptation, Trojan Women,[15] written in the aftermath of the September 11 attacks, toured widely within the UK and was staged internationally.

[citation needed] In 2016, Zoe Lafferty's version of the play, Queens of Syria, in Arabic with English subtitles, was put on by the Young Vic before touring Britain.

[22] Carson's vision was realised by Bruno to stage the production of a tragedy in the form of a "comic," or graphic novel with the characters cast as uncanny figures, such as Hekabe as an old, once-regal dog, the goddess Athena as a pair of overalls wearing an owl mask, and the murdered baby Astyanax (last heir to the Trojan throne) as a poplar tree sapling.

[citation needed] In March 2023 a production of Women of Troy directed by Ben Winspear and starring his wife actor-producer Marta Dusseldorp was staged at the 10 Days on the Island festival in Tasmania, Australia.

Poetry by Iranian-Kurdish refugee Behrouz Boochani, who was for many years detained by the Australian Government in Manus Island detention centre, was set to music composed by Katie Noonan and performed by a chorus of Tasmanian women and girls, interspersed with the text of the play.

Willow Hale (Hecuba) and Sterling Wolfe (Talthybius) in The Trojan Women, directed by Brad Mays at the ARK Theatre Company (2003)