Her first studio album since Hurts 2B Human (2019), Pink worked on the production and lyrics with Fred Again, David Hodges, Max Martin, Johnny McDaid, and Shellback, and others.

The second single, "Trustfall", reached top-ten positions in many European countries, while also peaking within top-twenty in the United Kingdom and Australia.

"[1] On July 14, 2022, Pink surprise released her first single since 2021, "Irrelevant", as a protest song in response to her outrage with the overrule of Roe v. Wade by the U.S. Supreme Court.

From May to October 2022, Pink headlined at Bottlerock Napa Valley, Ohana Festival, and Austin City Limits, while also performing a show at Yaamava Theater in Southern California.

Primarily a dance-pop album,[2] Trustfall incorporates elements of a wide variety of other genres, namely pop rock,[3] Americana,[4] country music,[5] and folk.

[12] On October 17, 2022, Pink teased the album's lead single "Never Gonna Not Dance Again" and released a snippet on social media.

The new edition, which includes her past-year-single "Irrelevant", two new songs and six live recordings from the Summer Carnival Tour, was released for digital download, LP and CD purchase on December 1, 2023.

[25] AllMusic editor Neil Z. Yeung rated the album four out of five stars and called it "a motivational therapy session that hinges on themes of change, self-acceptance, loss, and love, reminding listeners (and herself) that everything will be OK if there's faith in the face of fear and the unknown.

Buoyed by this spiritually liberated energy, Pink pushes her vocals to higher highs with shiver-inducing results, backed by some of the most thoughtful messages in her catalog.

"[30] PopMatters critic Jeffrey Davies felt that Trustfall "is the most vulnerable pop star Pink has been in years in a way that doesn’t sound formulated but rather honest and reflective.

"[10] Cady Siregar of Consequence found the singer "still wearing her emotions on her sleeve, keen to embrace a deep sense of vulnerability as she processes some extremely difficult events," publishing her "most overt attempt at storytelling and introspection" in her discography.

[31] However, Siregar also wrote that Pink "is playing it safe" because "trying to radiate emotional honesty without the risk of coming off as slightly banal is something even the best pop stars find hard to do.

"[32] In a mixed review, Michael Cragg of The Guardian wrote that the album is "patchy but playful in places," showing a "reliably Pink," thanks to her voice, "the key element" of not "always up to scratch" materials.