With the expectation of a peaceful resettlement operation from his people, he and a pair of his close friends sent down with him confirm that the Earth is now fit for the Moonrace to make their return.

The night of the first attack, Loran is at the White Doll, an enormous humanoid statue, for a coming-of-age ceremony.

In the midst of this panic, the White Doll shatters, revealing a metallic figure within, and the shrine collapses around it.

It was directed by Yoshiyuki Tomino and produced by Hideyuki Tomioka, Takayuki Yoshii, and Yoshihiro Suzuki.

It needed to be big enough so that the suit could hide behind it, making it easier for the anime production staff to draw.

Syd Mead imagined it to be like a clam shell and finally settled with a design that looked like the old MS-14 Gelgoog's shield from the first series.

Mobile Suit Gundam SEED, released in 2002, was the first series to switch entirely to digital ink and paint.

One by Kōichi Tokita published by Kodansha Ltd. running from April 15, 1999 to March 15, 2000 through Comic BomBom Magazine.

He states that the book was first printed around 3,000 years ago by the Rhea branch of the Earth Federation Government University.

Included in the book is a picture drawn by Kunio Okawara showing a mobile suit supposed to be MS-04 as a S.U.I.T.

The white page introduction by another fictional writer, Minaka Junkers, an economy assistant professor of the Rhea branch of the Earth Federation Government University, states the book was published in UC0100 to celebrate the Centennial anniversary of the Universal Century.

The release was cancelled in January 2012 when Bandai Entertainment announced it would no longer offer any new products in the North American territory.

[19] Mobile Suit Gundam 00 designer Yun Kōga cited Turn A when asked about her favorite series within the franchise.