Yet it is apparent that it was used earlier, although it is not easy to establish when it started out; actually, it is impossible to do so, the txistu being the result of an evolution of the upright flutes widespread as early as the Late Middle Ages, when minstrels scattered all over the Iberian Peninsula brought in instruments that locals, noblemen first and common people later took on and developed.
While some instruments fell into decay, from the Renaissance on the three-hole flute raised its profile and increasingly took on the length as we know it today (42 cm) in the western Basque Country.
[2] In contrast, the (t)xirula, the version that prevailed on the eastern Basque Country (Soule, Labourd and Navarre) remained shorter in size.
The instrument was modified to give it a range of two octaves, and a larger version called in Spanish the silbote was fashioned to accompany polyphonic compositions.
Rural txistu musicians continued their own traditions with self crafted rustic txistus, while the urban txistularis formed schools to teach the brand-new sophisticated instrument.