Directed by Katharine Antoun, the video shows a montage of meditative abstract imagery: iridescent splashes of color produced by Turkish marbling, microscopic footage of cellular activity, Moran’s own face and hands, and an uncanny CGI blob.

It’s here where Moran feels the most unfettered and uninhibited—not just balancing opposing forces, but reveling in their collision and savoring the way the frequencies fly, like raindrops buffeted by gusts of wind.

"[9] Evan Coral at Tiny Mix Tapes gave the album four out of five, with a review that is itself written in a post-modern style, highlighting Moran's inspiration from John Cage and emphasizing her innovation with a prepared piano.

[5] Regarding her inspiration to post-minimalism, Spyros Stasis of PopMatters ends his nine out of 10 review writing, "Starting from a minimal perspective, with a solitary piano as the main guide through this journey, she can awaken a pronounced ethereal and light characteristic, but further infuse it with a darker element.

's Tom Beedham also gave it a nine out of 10 and contrasted the album's influences in his assessment: "Ultraviolet is indebted to the charm of the natural world, but with it, Moran unlocks dazzling new ones in the process, keys jammed firmly between the strings of her instrument".