Through his search he meets Judith, a real estate agent, who insists on showing him a house accessible only by boat on the island of Sant'Erasmo.
Francis is smitten with Judith, a beautiful ex-model about 20 years his junior, and acquiesces to rent the property if she moves in with him.
Alarmed, Francis hires Anna Maria, a vodka-swilling private detective, who many years ago had a lesbian relationship with Judith.
Alice is found to be having a passionate love affair with Alvise, a penniless aristocrat and small-time heroin dealer.
Francis decides to have her followed by Jérémie, Anna Maria's son, a troubled young man who has just been released from prison.
Anna Maria returns from Paris with news about Alice who sent her father a disturbing video of herself having sex with Alvise.
[3] Ty Burr, writing for The Boston Globe, called the film: "An elegantly rambling Franco-Italian affair about the ways we do each other wrong while trying to do each other right….
"[4] In The New York Times, Manohla Dargis commented: "Unforgivable isn't one of Mr. Téchiné's greatest achievements, but it's engrossing even when its increasingly populated story falters, tripped up by unpersuasive actions, connections and details.
"[5] Roger Ebert said that: "What makes the film involving is that it doesn't depend on the mechanical resolution of the plot, but on the close observation of its effects on these distinctive characters.
"[6] In the words of Mick LaSalle writing for the San Francisco Chronicle, "the film creates the lived-in sense of being in the world of the characters.
"[7] The Christian Science Monitor's film critic Peter Rainer said that director "André Téchiné makes movies about people whose lives are perpetually in flux – the more fluctuations the better.
Here is something exasperating and yet marvelous about Téchiné's approach, and this dichotomy is no more apparent than in his latest film, Unforgivable, which is about a best-selling crime novelist whose personal life is as messy as his books are carefully plotted.