Despite her success as a dramatist and her forays into poetry, she is best known for her work in narrative literature, with the force of her style and the richness of her diction being especially noted.

A small scandal erupted when the jury learned that the author of the latter, an especially poignant work of theater, was a young girl from l’Escala, and so from that point forward Albert used the pseudonym Victor Català for all her writings.

Unfortunately, this aspect of her talent never became part of her professional career: she was only featured in one exposition in her life, at the Cercle Artístic de Sant Lluc in December 1955.

She also published several less dramatic narratives, as well as a few poems, in the magazine La Ilustració Catalana (The Catalan Enlightenment).

It was republished in the form of a book by the press Biblioteca Joventut in 1905, bringing the novel much recognition, and making Víctor Català a well-known writer.

She published a collections of narratives, Caires vius, in 1907 and then began her first period of “literary silence”, due to the movement of noucentisme.

Two years later she unveiled a collection of literary prose about domestic themes, “Mosaic” (1947), which became the first work reprinted in the Catalan edition of the publishing house Dalmau.