Johnson parted ways with NBC over creative differences regarding the content of the miniseries; his writing contribution is credited under the pseudonym "Lillian Weezer".
Teleplay by Brian Taggert and Peggy GoldmanStory by Lillian Weezer & Peggy Goldman & Faustus Buck (pseudonym for Craig Faustus Buck) & Diane Frolov and Harry & Renee Longstreet The first episode begins with a nightmare showing Mike Donovan and his son, Sean, trying to escape from a Visitor mother-ship with Visitor troopers in pursuit.
Julie rouses Mike from his sleep as the Resistance prepares for a raid on a Visitor processing plant to rescue humans who have been repackaged into food cocoons.
Meanwhile, television reporter Kristine Walsh begins to doubt her association with the Visitors, after Mike's claim that Sean is a captive aboard the mother-ship.
Her suspicions are aroused even more after a well-known doctor makes a stinging criticism about her being the Visitors' puppet spokesperson, but then days later gives her a tremendously warm reception (due to Diana's subjecting him to her conversion process).
During a scouting mission, the rebels succeed in capturing Willie, a friendly Visitor technician, whom they bring to their hideout for study.
Diana also kills Kristine after she disobeys her orders to report the incident as a terrorist hoax and instead makes a desperate call for rebellion.
After the fiasco of the previous evening Diana has the scene re-enacted under heavy security to be passed off as the actual broadcast, with the audience held at gunpoint and Eleanor DuPres eagerly taking Kristine's place reporting the event.
Ham reveals the existence of an international resistance force that can supply armor-piercing ammunition plus other effective weapons for the war.
Because of the danger of Fifth Column infiltration (especially now with the arrival of Diana's superior, Squadron Commander Pamela), Martin suggests that all major prisoners be transferred from the mother-ship to the security headquarters on the ground for further protection.
Mark's girlfriend, Maggie Blodgett, who has seduced collaborator and Visitor Youth member Daniel Bernstein, brings this information to the rebels, who see the opportunity and rescue Julie.
The rebels relocate to an old city jail afterwards, where their prisoner Willie gradually wins their trust when he helps Robin through her pre-labor stage.
The episode ends when Robin goes into labor and via a caesarian section gives birth to dizygotic twins—a human looking girl with a forked tongue, and a reptilian boy with blue human-like eyes.
Julie and Robert's analysis of the male child's corpse reveals certain bacteria that affected only the boy, despite his proximity to Elizabeth in the uterus.
After Mike reaches the jail, the team discuss testing the bacterium, now called the "Red Dust," but firmly reject Ham's suggestion of using Willie as a guinea pig.
However, the family reunion is short, as Robin seeks revenge by throwing a vial of the Red Dust into Brian's holding chamber.
While Ham and Mike mull over capturing a Visitor Youth member to be used as a test subject, Julie enters the chamber and proves the dust is non-lethal to humans.
The danger of compromise forces the rebels to evacuate and regroup at a coastal lighthouse complex, where more Red Dust stocks are produced.
Martin later asks Mike to stop producing the toxin and reveals the Visitors' contingency plan: using their mothership as a doomsday device if the situation was lost.
The raid begins in earnest and Sean's false information leads the bulk of the Visitor forces to secure all airbases for an attack that never arrives.
Desperate to escape, Stephen kills Eleanor, but Ham takes him down long enough to douse his face with a bag of Red Dust.
Diana activates the doomsday device aboard the Los Angeles ship before shooting John for his refusal to take part in her plan.
"[2] In his review for the New York Times, John J. O'Connor opines how "in its own dizzy way, 'V' is rarely less than compelling," adding that, "the continuing saga is still impressive where it counts most in this sort of science-fiction caper.
The website’s consensus reads: "V tempers its ambitions for the better in this rousing if silly climax, dialing back the awkward allegory while upping the pulpy spectacle.