Valley of the Shadow of Death is an albumen print photograph by Roger Fenton, taken on April 23, 1855, during the Crimean War.
[3] When in September 1855 Thomas Agnew put the picture on show, as one of a series of eleven collectively titled Panorama of the Plateau of Sebastopol in Eleven Parts in a London exhibition, he took the troops'—and Tennyson's—epithet and expanded it as Valley of the Shadow of Death with its deliberate evocation of Psalm 23.
[4] Film-maker Errol Morris went to Sevastopol in 2007 to identify the site of this "first iconic photograph of war".
[6][7][8][9] He remains uncertain about why balls were moved onto the road in the second picture—perhaps, he notes, Fenton deliberately placed them there to enhance the image.
[10] The alternative is that soldiers were gathering up cannonballs for reuse and they threw down balls higher up the hill onto the road and ditch for collection later.