Vamachara

N. N. Bhattacharyya explains the Sanskrit technical term Ācāra as follows: [t]he means of spiritual attainment which varies from person to person according to competence.... Ācāras are generally of seven kinds -- Veda, Vaiṣṇava, Śaiva, Dakṣiṇa, Vāma, Siddhāṇta, and Kaula, falling into two broad categories -- Dakṣiṇa and Vāma.

N. N. Bhattacharyya notes that a main feature of the tantras is respect for the status of women as a representation of Adi Shakti, and that if this was the original conception underlying vāmācāra, the opposing term dakṣiṇācara may have been a later development.

The Brahma Yamala, a right-handed Vaishnava tantric text, says there are three currents of tradition: dakshina, vama, and madhyama.

[8] Practitioners of vamachara rituals may make symbolic substitutions for these literal things, which are not permitted in orthodox Hindu practice.

[11] Barrett discusses the charnel ground sadhana of the Aghorī practitioners in both its left and right-handed proclivities and identifies it as principally cutting through attachments and aversion in order to foreground inner primordiality, a perspective influenced by a view by culture or domestication: The gurus and disciples of Aghor believe their state to be primordial and universal.

Hari Baba has said on several occasions that human babies of all societies are without discrimination, that they will play as much in their own filth as with the toys around them.

Children become progressively discriminating as they grow older and learn the culturally specific attachments and aversions of their parents.

A goat being slaughtered at Kali Puja . Painting by an Indian artist dated between 1800 and 1899. Inscription on verso: "A Hindoo sacrifice"
Puja at the temple of the left-handed goddess Kamakhya
Tantric goddess Bhairavi and her consort Shiva depicted as Kāpālika ascetics , sitting in a charnel ground . Painting by Payāg from a 17th-century manuscript ( c. 1630–1635 ), Metropolitan Museum of Art , New York City .
An Aghorī carrying a human skull, Varanasi , c. 1875