[3] The film based on popular historical folk myth, focuses on Emperor Ashoka's son, Kunal.

Over a period of time Ashoka overcomes his grief and marries a much younger, Tishyarakshita, daughter of a chieftain.

When he hears the entire story, his sense of fair play, his impartial justice, and remorse at his son's blinding help him mete out a strict punishment to Tishya, condemning her to be burnt.

Kishore Sahu "made news" by getting Sardar Vallabhbhai Patel to inaugurate the film premiere at Novelty cinema in Bombay on 1 December 1945, according to the magazine Filmindia.

The Free Press Journal explained its popularity due to "high level of performances" and Sahu's direction.

The Times of India, while acclaiming Sahu's direction also gave credit to the acting, sets, photography, and a tight "gripping" story.

[5] Filmindia commended Sahu for casting Shobhana Samarth as the "vamp", which was in contrast to majority of her roles where she portrayed Sita, Damayanti and Taramati in several films.

The symbolic use of eyes which attract Tishya, and her blinding Kunal, were highly praised by Patel, finding the thematic approach far superior.