Music of Venezuela

Joropo was developed by creative artists such as Juan Vicente Torrealba, Ignacio Figueredo, Augusto Bracca, Genaro Prieto, Eneas Perdomo and Angel Custodio Loyola, who helped to popularize the music throughout the country.

Some singers, such as Adilia Castillo, Lorenzo Herrera, Simon Diaz, Mario Suarez, Edith Salcedo, Magdalena Sanchez, Rafael Montaño, Reyna Lucero, Vidal Colmenares, Armando Martinez, Cristina Maica, José Catire Carpio, Cristobal Jimenez, Juan de los Santos Contreras (El Carrao de Palmarito) and Reynaldo Armas have maintained a huge following over the years.

The genre was introduced by Aldemaro Romero with a special contribution by famed drummer and timpanist Frank Hernandez, nicknamed "El Pavo" (The Turkey (Venezuelan slang for “the youth”)) by employing a very peculiar drum beat.

Venezuelan pop musicians such as Guillermo Davila, Ricardo Montaner, Kiara, Karina, Los Chamos, Urbanda, Uff, José Luis Rodríguez "El Puma", Yordano, Franco DeVita, and Ilan Chester have gained popularity in other Latin American countries.

On the other hand, same history for many well-known bands like Devendra Banhart (Naturalismo), Aditus [es] Resistencia, Los Amigos Invisibles (Acid Jazz), Arkangel founded by Paul Gilmann and Freddy Marshall, Malanga, Desorden Publico (Ska/Pop), King Chango (Ska/Latin American music), Culto oculto (Experimental/Rock), Caramelos de Cianuro (Pop/Rock), Mikel Erentxun (Pop/Rock), Candy 66, Tan Frío El Verano, La Vida Bohème and the now extinct but influential groups Sentimiento Muerto (Post-punk), Zapato 3 (Pop/Rock), and Dermis Tatú (Rock).

Alfredo del Mónaco, who founded the Venezuelan branch of ISCM, is considered the pioneer in electronic music in Venezuela[1] having released Estudio electrónico I para cinta in 1968.

In 1973, when exclusivity of the private contract ended, Chelique commercially released the record under a different title: Revolución "Electrónica" en Música Venezolana (Electronic Revolution in Venezuelan Music).

The most significant ones are: Arca (experimental/industrial) Masseratti 2lts (downtempo), La Vida Boheme (post-punk), Lmca (Electronic/Synthpop/post-punk/experimental), Viniloversus (indie rock), KP-9000 (trip hop), Cardopusher (breakcore), Nuuro (IDM), Patafunk (Tropical/funk), FamasLoop (trip hop/electronica), Todosantos (nu rave/indietronica), Jimmy Flamante (breakbeat), Las Americas (shoegazing), Dondi (drum and bass/downtempo), Retrovértigo (post-rock), Lis (instrumental rock), Tercer Cuarto (alternative metal), Panasuyo (neo-folklore), Pacheko (dubstep), Dame Pa' Matala (reggaeton/hip hop) and Los Javelin (surf rock/rockabilly) AC/Boy (Techno)

Venezuela has also produced classical composers such as: Reynaldo Hahn, Teresa Carreño (who was also a world-renowned pianist), Antonio Lauro, Víctor Varela, Antonio Estevez, Evencio Castellanos, Modesta Bor, Prudencio Esaa, Moisés Moleiro, Sylvia Constantinidis, Gustavo Dudamel, Ilyich Rivas, Alfredo Rugeles and Eduardo Marturet (who are primarily international conductors), Federico Ruiz (who also works with other genres) and Vicente Emilio Sojo (known for his contributions to Venezuelan musicology and music education).

Prominent composers and musicians who have taught, founded, or studied in these institutions include Alberto Grau, Isabel Aretz, María Guinand (who was one of the founders of the Master of Music program of Universidad Simón Bolívar), Diana Arismendi, Ricardo Teruel, Inocente Carreño, Adina Izarra, Marianela Arocha, Maurice Hasson, Pedro Eustache, David Ascanio, Josefina Benedetti, Alfredo del Monaco, Alfredo Rugeles, Humberto Bruni Lamanna, Abraham Abreu, Aldo Abreu, Aquiles Baez, Pablo Gil, Carlos Duarte and Sylvia Constantinidis.

His most recognized works are: The Aguinaldo Que Navidad part of the Venezuelan Christmas repertoire and interpreted by the mezzo-soprano Morella Muñoz, Cantata infantil Simón Bolívar, Misa de mi Tierra among others.

Other Venezuelan performers of note are Antonietta, Jorge Aguilar , Chino y Nacho, Franco de Vita, Alirio Diaz, Ruben Riera, Hernán Gamboa, Gualberto Ibarreto, Enrique Hidalgo, Rudy Regalado, Jesus Sanoja, Otmaro Ruiz, Vytas Brenner, Yordano, Juan Carlos Salazar, Huáscar Barradas, Billo Frómeta, Homero Parra, Gerry Weil, Soledad Bravo, Marlene [es], María Teresa Chacín, Luis Gómez-Imbert, Luis Mariano Rivera, Maurice Hasson, Luis Laguna, Arca, Graciela, Italo Pizzolante, Cecilia Todd, Lilia Vera, Renato Capriles, Alí Primera, José Luis Rodríguez, Graciela Naranjo, Mario Carniello, Aaron Rafael Serfaty, Frank Quintero, Henry Martínez, Pedro Eustache and Alberto Naranjo, as well as the groups Serenata Guayanesa, Dimensión Latina, Los Cuñaos, Los Cañoneros, Guaco, Fantasmas de Caribe, Mango, Grupo Madera, Percujazz Ensamble, Ensamble Gurrufio, Lloviznando Cantos, Los Chamos and El Trabuco Venezolano, among others.

Cover of the first edition of Alma Llanera, unofficial second national anthem of Venezuela
Venezuelan Joropo. Drawing by Eloy Palacios (1912)
Velorio de Cruz de Mayo, drawing by Anton Goering (1892)
Aldemaro Romero directing the Municipal Symphony Orchestra of Caracas, at the celebration of the 50th anniversary of Dinner in Caracas
Desorden Público
Los Amigos Invisibles
Patafunk "Playa" 2011
Serenata Guayanesa