It called in specialists from other fields like goldsmithing and engraving to ensure authenticity and employed artist Giuseppe Devers to teach the techniques of enamelling and heat-applied glass gilding to company artisans.
[6] The company quickly earned a reputation for quality original glass art and reproductions as well as its many mural mosaics in Great Britain and elsewhere in Europe.
"[9] Mosaics produced by the company during the time period are still in existence in diverse areas such as Gonville and Caius College Chapel in Cambridge; St Paul's Within the Walls in Rome, the Victoria and Albert Museum, Westminster Cathedral in London, Old South Church in Boston the Chamberlain Memorial in Birmingham, Palazzo Barbarigo and the Senate House rooms in the United States.
It exported several thousand works for display at the World's Columbian Exposition in Chicago in 1893, also setting up a kiln so that the public could observe the company's glass blowing techniques.
The newly merged company, retitled to its present name, continued display in its previous locations of St. Mark's Square and the Palazzo Trevisan Cappello.
In the period following the second World War, the company undertook long-term associations with master glassblowers Anzolo Fuga and Alfredo Barbini, engraver Francesco Andolfato and painter Enzo Scarpa.
Shorter associations include sculptor Napoleone Martinuzzi in the 1960s, painter Libero Vitali in 1971, architect Franz Prati between 1996 and 1997, and fashion designer Romeo Gigli in 1997.
Since the turn of the century, associations have included Venetian sculptor Livio de Marchi and Chinese artist Xiao Fan Ru.
In this passage of "Il fuoco", D'Annunzio writes about one of his trips to the Pauly & C. | CVM glassworks, which he had visited years before to see his friend, the master glassblower Isidoro Seguso.