Ventriloquism

Ventriloquism or ventriloquy is an act of stagecraft in which a person (a ventriloquist) speaks in such a way that it looks like their voice is coming from a different location, usually through a puppet known as a "dummy".

One of the earliest recorded group of prophets to use this technique was the Pythia, the priestess at the temple of Apollo in Delphi, who acted as the conduit for the Delphic Oracle.

[3] Other parts of the world also have a tradition of ventriloquism for ritual or religious purposes; historically there have been adepts of this practice among the Zulu, Inuit, and Māori peoples.

[a] A well-known ventriloquist of the period, Joseph Askins, who performed at the Sadler's Wells Theatre in London in the 1790s advertised his act as "curious ad libitum Dialogues between himself and his invisible familiar, Little Tommy".

His act, based on the cheeky-boy dummy "Coster Joe" that would sit in his lap and 'engage in a dialogue' with him was highly influential for the entertainment format and was adopted by the next generation of performers.

It was taken forward by the British Arthur Prince with his dummy Sailor Jim, who became one of the highest paid entertainers on the music hall circuit, and by the Americans The Great Lester, Frank Byron Jr., and Edgar Bergen.

Bergen, together with his favorite figure Charlie McCarthy, hosted a radio program that was broadcast from 1937 to 1956 and which was #1 on the nights it aired, popularizing the idea of the comedic ventriloquist.

Bergen continued performing until his death in 1978, and his popularity inspired many other famous ventriloquists who followed him, including Paul Winchell, Jimmy Nelson, David Strassman, Jeff Dunham, Terry Fator, Ronn Lucas, Wayland Flowers, Shari Lewis, Willie Tyler, Jay Johnson, Nina Conti, Paul Zerdin, and Darci Lynne.

Ramdas Padhye's name is synonymous with puppet characters like Ardhavatrao[9] (also known as Mr. Crazy),[10] Tatya Vinchu[11] and Bunny the Funny which features in a television advertisement for Lijjat Papad, an Indian snack.

The classic dummies used by ventriloquists (the technical name for which is ventriloquial figure) vary in size anywhere from twelve inches tall to human-size and larger, with the height usually 34–42 in (86–107 cm).

Great names in the history of dummy making include Jeff Dunham, Frank Marshall (the Chicago creator of Bergen's Charlie McCarthy,[20] Nelson's Danny O'Day,[20] and Winchell's Jerry Mahoney), Theo Mack and Son (Mack carved Charlie McCarthy's head), Revello Petee, Kenneth Spencer, Cecil Gough,[21] and Glen & George McElroy.

Some psychological horror films and other works feature psychotic ventriloquists who believe their dummies are alive and use them as surrogates to commit frightening acts including murder.

Gabbo and his ventriloquist dummy Otto in The Great Gabbo (1929)
Newspaper article on Gef , the talking mongoose, claiming it involved ventriloquism by Voirrey Irving
Sadler's Wells Theatre in the early 19th century, at a time when ventriloquist acts were becoming increasingly popular
Ventriloquist The Great Lester with Frank Byron, Jr. on his knee, c. 1904
Ventriloquist Edgar Bergen and his best-known sidekick, Charlie McCarthy , in the film Stage Door Canteen (1943)
Swedish ventriloquist act Zillah & Totte
A ventriloquist entertaining children at the Pueblo, Colorado , Buell Children's Museum
Ventriloquist dummy in the shape of a young boy