Venusberg (German; French Mont de Vénus, "Mountain of Venus") is a motif of European folklore rendered in various legends and epics since the Late Middle Ages.
The earliest version of the narrative of the legend, a knight seeking forgiveness for having adored a pagan goddess in an enchanted mountain, but being rejected by the pope and returning to the mountain, even though a miracle prompts the pope to send emissaries after him to call him back, is first recorded in the form of a ballad by the Provencal writer Antoine de la Sale, part of the compilation known as La Salade (c. 1440).
Early written transmission around the 1520s was by the means of printed single sheets popular at the time, with examples known from Augsburg, Leipzig, Straubing, Vienna, and Wolfenbüttel.
This Lied von dem Danheüser explores the life of the legendary knight Tannhauser, who spent a year at the mountain worshiping Venus and returned there after believing that he had been denied forgiveness for his sins by Pope Urban IV.
The Venusberg legend has been interpreted as a Christianised version of the well-known folk-tale type of a mortal visiting the Otherworld: A human being seduced by an elf or fairy experiences the delights of the enchanted realm but later the longing for his earthly home is overwhelming.
The Praetorius version of 1668 was included in Des Knaben Wunderhorn, a compilation of German folk poems published by Achim von Arnim and Clemens Brentano in 1806.
[3] Aubrey Beardsley started to write an erotic treatment of the legend which was never to be finished due to his conversion to Catholicism, repudiation of his past works, and subsequent illness and death;[4] the first parts of it were published in The Savoy and later issued in book form by Leonard Smithers with the title Under the Hill.
[1] The Tannhauser Gate motif of film (Blade Runner, 1982) and cyberpunk fiction originated as an allusion to the pathway that the knight used to discover and travel to this supposed place of ultimate erotic adventure.