Krasovskaya also wrote biographies on Anna Pavlova, Vaslav Nijinsky, Natalia Dudinskaya, Irina Kolpakova, Nikita Dolgushin and Agrippina Vaganova.

[9] In the 1950s, Krasovskaya was a prominent figure in urging new approaches to dancing in drama, publishing in pamphlets and the press as well as on meaning and content in ballet, which resulted in some relaxation of certain attitudes considered limited.

[1][4] Krasovskaya published her first piece of criticism on dance called about Alla Shelest in the magazine Iskusstvo i Zhisn (English: Art and Life) 1941.

[4] The first of which was called Russkii baletnyi teatr ot vozniknoveniya do ceredinii XIX veka (English: Ballet Theater from Its Origins to the Middle of the Nineteenth Century) in 1958.

Krasovskaya's second book was published in 1963 as Russkii baletnyi teatr vtoroi polovinii XIX veka (English: Russian Ballet Theatre of the Second Half of the Nineteenth Century) and her third and fourth books were published in two volumes in both 1971 and 1973 as Russkii baletnyi teatr nachala dvadtsatogo veka (English: Russian Ballet Theater From the Beginning of the Twentieth Century).

[7] She also authored biographies of Anna Pavlova, Vaslav Nijinsky, Natalia Dudinskaya, Irina Kolpakova, Nikita Dolgushin and Agrippina Vaganova.

[1][4] Krasovskaya's works led to her privately receiving the arts and literature Triumph Prize in December 1998 for her contribution to Russian culture.

[4][5] The St Petersburg correspondent for the Dancing Times and friend of hers Igor Stupnikov called her "a woman of sharp mind and great sense of humour who was a staunch advocate of everything new and progressive.