[4] A January 1943 report in Kinematograph Weekly called Verity "by far the largest documentary film organisation in Great Britain".
An item in the edition of 7 December 1944 of Kinematograph Weekly noted that A. T. Burlinson had taken over as managing director while Box worked on The Seventh Veil (1945).
We did a sort of copy of Carol Reed's [sic] The Next of Kin, called Jigsaw, which was a naval version of how to keep secrets and so forth.
[5] Among Box's other wartime hires (in 1944) was a 16-year-old Eric Marquis, who became one of Verity's longest serving employees, and was by the 1960s the company's director.
[6] After the end of the Second World War, Sydney Box moved on to Gainsborough Studios, joining the board in May 1946 and becoming managing director on 1 August 1946.
Despite the departure of the Boxes, Verity Films continued producing documentaries, with directors such as Ken Annakin.