[2] Much of her work surrounds the concepts of death, rebirth and the duality of the sexes (an area which she has much to comment on as one of the few famous female street artists in operation), can be seen on walls and galleries all over Australia, America, London, mainland Europe, Mexico and South America, and most recently the Contemporary Art Biennale of India.
[3] Vexta has been called "one of Australia's few female stencil artists to have achieved wide recognition" by Lois Stavsky, author of the seminal Graffiti 365 art book.
[4] When Vexta moved from her home town of Sydney to Melbourne in the mid-2000s, she was exposed to much of the thriving underbelly of the local stencil culture, which had been gaining notoriety for close to a decade.
[9] She creates works of art through a psychedelic lens often juxtaposing humans and animals exploring themes of life/death, physics, cosmology and the feminine culture.
The event was created to celebrate the GirlPower issue of Untitled magazine and is part of a "Women in Art" series taking place at the gallery.