After stealing some alcohol from an all night shop, they all get on the roof of an apartment building where they drink and smoke marijuana together, while Boxer reveals that he spent time in jail for hurting someone.

When Victoria and Sonne arrive at the cafe, she invites him in for a cup of coffee, but he insists he only drinks chocolate milk.

After much coaxing, she sits down and masterfully plays one of the Mephisto Waltzes, deeply impressing and moving Sonne.

She then reveals that she had dedicated her whole life to the dream of becoming a concert pianist but had been told a short time ago at her music school that she was not good enough to continue.

In front of the cafe, the four men steal a car and drive away, only to come back a few minutes later because Fuß, who had been heavily intoxicated before, has now fallen unconscious.

She drives Sonne, Boxer, Blinker and Fuß (who is lying in the back of the car) to the meeting place, a parking garage where Andi is waiting with several armed men.

They are armed with guns, given a plan of the bank and then forced to take drugs to make them more alert and aggressive.

After leaving the car in a back alley, the four, euphoric after the success of the robbery and still under the influence of the drugs, return to the club to celebrate.

While Sonne and Victoria are kissing, Blinker and Boxer in their excitement strip naked on the dance floor, leading to all four being thrown out of the club.

They leave the baby in front of a café across the street and hail a taxi which brings them to a nearby hotel.

The film was shot in a single long take by Sturla Brandth Grøvlen from 4:30 to 7:00 A.M. on 27 April 2014 in the Kreuzberg and Mitte neighborhoods.

[6] To get financiers onboard, director Sebastian Schipper promised to deliver a version using traditional shot cutting as “plan B” if he couldn't achieve the final product in a true single take.

The website's critical consensus states: "Victoria's single-take production is undeniably impressive, but it's also an effective drama in its own right – and one that juggles its tonal shifts as deftly as its technical complexities.

"[8] On Metacritic, the film has a weighted average score of 77 out of 100, based on 27 critics, indicating "generally favorable reviews".

[9] The Hollywood Reporter described the film as a "kinetic, frenetic, sense-swamping rollercoaster ride" but said the plot was somewhat implausible.