Today, video installation is ubiquitous and visible in a range of environments—from galleries and museums to an expanded field that includes site-specific work in urban or industrial landscapes.
Gary Hill, another master of the medium, has created quite complex and innovative video installations using combinations of stripped down monitors, projections and a range of technologies (from laser disk to DVD and new digital devices) so that the spectator can interact with the work.
[3] For instance in the 1992 piece Tall Ships, commissioned by Jan Hoet for Documenta 9, the audience enters a dark hall-like space where ghostly images of seated figures are projected onto a wall.
David Hall and Tony Sinden exhibited the first multi-screen installation in Britain, 60 TV Sets, at Gallery House, London in 1972.
Sam Taylor-Wood's early installation pieces are good examples where specially filmed elements are shown as a series of serial projections.